It may truly help a story.
So, think back to something you might have written from a non-human POV. Was it a tree? A butterfly? A goat? Short stories especially can benefit from placing the POV in the hands – or paws, or talons – of another creature. The whole “if these walls could talk” sort of thing. Even some novels have excelled in their genre using this unique vantage point.
WHAT’S THE BEST UNEXPECTED PERSPECTIVE?
It all depends on your story. Take The Humbling of Rutherford for example. I wrote this little piece for Faithwriter’s a year or so ago, detailing a day in the life of a rooster we used to have. It was penned in third person omniscient, so as to capture the POV of Rutherford, as well as the farm dogs and the other chickens.
Then there was a story my mom wrote several years ago from the perspective of a tree, an abandoned house, and the land on which these two sat. It was the deep, moving writing that made it special, as well as the POVs – you don’t often hear an abandoned house telling its story, or listen to the voice of its only enduring friend, the pine tree.
HOW TO KNOW WHEN TO ENLIST THE UNEXPECTED PERSPECTIVE
Take this picture for example:
If I were to write a story based on this photo, would I tell it from Giddy’s (the goat’s) POV or from the butterfly’s? Or both? Personally, I believe I would write it using both their POVs, in order to capture the emerging of this butterfly and the brief wonder and irritation of Giddy. 🙂 However, I could also tell it from a by-standing goat’s perspective, or another creature. I could also tell it from just the butterfly’s perspective. Any of these would likely work to create an effective story.
At any rate, using a non-human POV can really add an endearing quality to a story. Have you had any experience with this? Any moments like the butterfly and the goat you could write a story from? How about a chicken or a songbird? Or an insect or a cat? Let’s chat about our furry friends! They can certainly make their way onto the page without much effort.